Movies

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Scary Stores to Tell in the Dark (2019) is probably the best scary movie that I’ve seen in a while. Not quite Drag Me to Hell kind of scary but rather close.

Fairly quickly the film comes off as a period piece. The home made Halloween costumes, Night of the Living Dead at a drive through, and racial slurs that you shouldn’t hear out of a sheriff, all quickly begin to paint the scene. Thorough the film if you pay attention: you’ll notice the 1968 setting. I really liked the opening: while I grew up in the era of commercial Halloween costumes and shopping malls, my mother grew up in an era when kinds made their own costumes and went around the neighborhood. My mom and dad would have been in their early 20s at the time the film is set, making it more apparent to me. some of my mom’s stories of course had to do with her Halloween experiences as a kid.

The various stories are superb twists of horror. Often grisly, yet classic. But it’s painted over with a modern varnish. Sarah’s story is the kind that would often be skipped over or down played. Her chilling tales of terror on the other hand are ones you’d sell in the horror isle of a bookstore (remember when those were a thing?). Stella and her dad, and friends serve a stark contrast. In many ways, I’d say Stella is rather modern despite the film pelting us with ‘60s vibes.

In some ways, I have mixed feelings about the ending. I kind of agree with the way it plays out android The more positive tone. It’s not the kind of “Oh, shit!” Twist at the end that horror stories often train us to expect. Instead it’s rather hopeful and determined. Most of all it sets the stage for a sequel :).

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Been hearing bits and pieces for a while now, and anxiously wondering when we’d see a release. Sounds like the new Dune fil is due in October, and one can hope ^_^.

My introduction to Dune was the 1984 film. One late night, my mother invited me to watch it with her, but warned that you’ll probably have to watch it twice to understand it. And of course, I did, lol. Some years later, she would also lend me her copy of the book, and House Atreides. I think Dune still holds my personal record for most pages read in a sitting, since I basically sat on my ass and inhaled about the first 100 pages–after reading the four appendices! I remember seeing the novel had appendices with information about its world, and just knowing that it would be my kind of book.

Oddly, ironically, or fated, the other night I started reading Dune again. It’s been maybe eight or ten years since I last read it.

Since reading the novel as a kid, I’ve come to have a cautious view of anyone attempting to make a movie out of the story. It’s just to big and multifaceted. The cluster-hells aside, the ’84 film basically cut out 30 – 60 % of the novel, literally an entire cast of characters worth. But it still managed to tell the important pieces of the story, and is far from a short film. Much like the Lord of the Rings, I try to respect the fact that no one can watch a 12-hour long movie without taking multiple bathroom breaks unless you’re wearing a still suit or diapers.

IHMO, unless you’re prepared to make a film trilogy out of it I think Dune lends itself more to a miniseries than a theatrical film. So at best, I can hope to enjoy Villeneuve and cie’s efforts. Sounds like he has the good sense to make it more than one movie, hopefully that pans out. The novel itself, as I recall: was not only followed by four appendices, but also divided the story into three “Books”. Which is well reflective of how long a story Dune is, regardless of the publishing history that lead to it being so.

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I remember hearing about Bill & Ted 3 some years back, and thinking skeptically: “Why the heck would they want to make another one after so many years?”. And, kind of happy I was wrong, lol. Face the Music is an awesome movie!

The notion that after twenty five years, Bill & Ted are still trying to write the song that will unite the world is pretty spot-on for a concept. Very happy to see how that played out with Bill & Ted & the princesses. Since I grew up watching the first two films, the continuity of spirit is kind of awesome. Excellent Adventure is almost as old as I am, and I probably watched Bogus Journey most times I came across it.

Totally loved the time hopping and universe imploding. But especially how the most excellent daughters fit into it all. As they face the music, it was quite a spectacular end to a journey.

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Starting A Series of Unfortunate Events on Netflix, I’m pleasantly surprised to see Joan Cusack pop up as Justice Strauss.

At first it was hard to place her with that silly wig, but both the voice and the face were sticking out enough that I had to look up the cast. That she’s the voice of Toy Story’s Jessie explains why the voice jabbed me in the face as very familiar. While I’ve seen more than a few of her films countless times over the years, oddly the part I most remember seeing her in is as Robin Williams’ quirky sister in the film Toys. A silly little movie perhaps few remember today, but one I enjoyed quite a bit growing up.
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While I’m probably less harsh on the new films than some, I think this illustrates a bit of a trend as well. As time as gone by, I’ve really come to appreciate how awesome sauce CGI became in my life time. Some films and shows have aged vary differently based on their CGI, meanwhile Jurassic Park is one that has aged pretty well overall.

One of the things that I’ve noticed is that our norms of cinematography have changed with the times. Films like Spielberg’s benefit from a master at the helm, and we’ve more than a few great film makers. But some films as they age, you look at, and scratch your head at how they were filmed. A prime example for me was watching the original Terminator for the first time in some years, and thinking no one including James Cameron would shoot some of those scenes the same way because of how tech has changed. Some have also held up better or worse when you consider the budget, and the era behind those special effects. Some are obviously, because they had to figure out how the heck to shoot the scene at all.
Part of me appreciates how awesome CGI has become. Part of me debates what we will lose whole when generations of film makers come and go in the world it created. Jurassic Park kind of was a perfect storm between the state of technology and production talent. In the future, I’m sure we will continue to have story tellers using the camera with care, but I wonder what we’ll miss out on.
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There’s not a lot of films that make me feel like best movie ever, but The Mitchells vs The Machines rather had that effect. I’m pretty sure that it’s at least the best weird family adventure slash road trip movie ever made, lol. There is so much awesome in this movie I had to update my rather rarely updated list of favored movies. Hopefully sometime after the Netflix release, we’ll see it available on Blu-ray as well.

Remember the family that weirds together, saves the world together ;).

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Finding myself searching Netflix for something simple to watch, I was pleasantly surprised by a little cheese flick called The Warrior’s Gate. It’s stoic sense of humor and comfortable territory makes it entertaining, if not spectacular. Many movies exist that fit that bill, but are sometimes hard to find. Often mixed into the same bin as films that try to be something more than a cheesy enjoyable romp.

And then there’s the ending. With the ice cream, I’d say the twist is exactly as it should be. But warrior Zhao teaching the knights in the end……oh man was that a priceless finish.

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 Tonight’s movie was one I haven’t seen in quite a few years: Mr. Smith Goes to Washington. Still as great a film as I remember.

Most movies from the time period: I find tend to have a rather upbeat tone. Mr. Smith leads in with much of that upbeatness, and uses it to build something much darker as it crushes Stewart’s character like an egg. Brings tears to my eyes when Sander’s finds Smith at the memorial: ready to call it quits on all that huuy, and she encourages him to stand up and fight.

The good natured everyman isn’t a rare character in Capra’s films back then. But Jeff Smith is a curious one. Ever first to admit he shouldn’t be there: he’s quickly sucked in to a vacuum and torn apart by the political machine running his state. Edward Arnold and Claude Rains serve as the film’s direct villain’s, respectively as Jim Taylor the shots caller and Joseph Paine the Senator.

I kind of like how it shows the latter as beyond redemption. Senior Senator Paine quickly toes the machine’s line with every bit the villainy shy of physical assault, yet the good trickles through. He may have become compromised over the years, but isn’t so far gone as to be himself, a lost cause. Combined these lend a lot of weight to the big finish as Smith is hauled off the Senate floor.

Hmm, what was it Superman used to say? Truth, justice, and the American way? Yeah. Something like that. Makes sense that at the time, Mr. Smith Goes to Washington wasn’t well regarded by our Senate. On the flip side it also makes sense that The Library of Congress picked it as one of the first films for the NFR’s preservation effort.