An orange in an apple orchard
While my day began with Vulkan things, I came across a rather nice read on gamma:
Microsoft Just Showed An Uncomfortable Truth About The Xbox Series X And PS5
Not a commentary I ever really expected to see published, given the norm is closer to frothy mouthed eye candy and marketing spiel. But surprisingly well noted.
Something I would also add to this is the implications for developers has evolved as well. For a damned affordable price, the Xbox One delivered some impressive gaming hardware that would be difficult to match for the price; those of us who build gaming desktops, or buy laptops for the purpose, know how painfully expensive they are. Meanwhile for the price of a laptop that doesn’t suck, you can get a game console that can pump out stellar graphics.
I feel that with the evolution of hardware, we have reached a point where decent graphics is now more in the hands of the art and engines under the hood. Not the hardware. That is to say, the modern console has the resources that you don’t need to worry—the same way as melting laptops that shouldn’t even be running your game to begin with, lol.
The last several decades were full of “Holy crap, how can they do that and not melt the machine?” leaps in fidelity, and performance. Even in my childhood, we had massive graphic leaps like DooM and Resident Evil. Games whose graphics today, we would hardly get impressed over without a realization of what limited they had to run on. Pumping out awe inspiring graphics is still a lot of work, and doing it in a performant way is still challenging, but it’s still impressive what you can do with a humble Xbox or PlayStation at this point. The next generation will just bring more headroom 🙂.
Possible signs that I have strange, or at least varied tastes: when my debate of what to cycle back to reading includes:
Thumbing through my Steam library, my brain eventually floats off in various directions.
One is the reminder that Love In Space recently released their follow up to Shinning Song Starnova, and remember that last time I had checked their Patreon, and active projects post, the next installment of Sunrider was next on their road map. Much to my joy, it seems like Sunrider 4: Captain’s Return is elevated to current project. Just as previously scheduled.
I remember playing Mask of Arcadius, and enjoying how they combined turn based fleet + mech tactics with a visual novel setting. Because who doesn’t want to laugh your ass off between being out numbered like 80:1 in a space battle? I think MoA is still free, and it’s worth playing both for the intro to Sunrider’s story, and for the campaign.
When Liberation Day came out it was a rather shuddup, and take my money response. Excellent improvement on the mechanics, and enjoyable for the same reasons. But of course the damned thing ends with a cliff hanger end on par with Old Ben Kenobi, so it’s been a long wait to see what happens next.
The purely VN based expansion with a side story / alternate endings for the crew was also pretty amazing. Give or take how many jokes you can make about the story twists that Claude aka miss boob rockets presented in the campaign. Won’t spoil the details, but let’s just say between her attempts on Captain Shields, and what she turns out to be, you can probably enjoy that lark a lot more than the other plot twists. Because it totally fits her personality, and should make you revisit some of your beliefs in religion and science :P.
Ahh, in a few years perhaps we will have Sunrider 4….hehehe.
In an effort to catch up on some of my reading backlog, I recently found myself revisiting The Fruit of Grisaia, both the visual novel and the anime. Because sometimes time for reading is limited, and the story is pretty damned long.
In doing so, I’m kind of reminded of several things. The anime adaption while extremely well executed is also extremely condensed. Many key scenes are filtered through but as a whole: you only get something on par with 20% of the visual novel’s content. That is to say: the anime is great, but it’s like looking through a pinhole compared to the original media. Episode one’s one line summary of each character’s story is also spot on.
About 90% of the crude humor that makes Yuuji’s school life so enjoyable is cut, and each characters story is condensed heavily for time. For me that’s kind of sad because the joking and clowning around is part of why the novel left me laughing my ass of more often than not.
Considering that each characters story is practically a novel in of itself, the anime fairs pretty well for cutting out so much. You still get key moments like burying his classmate alive, but much of the detail around it is lost, such as the airhead’s true nature. I think Amane’s story is the only one that really escaped massive trim: probably because there’s no way to actually trim her story and keep the jist. By contrast, Sachi’s which is the longest character story in the novel: only got one episode that struggles to tell the jist of her condition. And the series totally misses out on her sadomasochist sense of humor to a fine degree, and Michiru’s constant bombardment of idiocy and subtle kindness. All sorts of things in the name of fitting into a standard season length.
Likewise things are quite twisted to create a point of co-existence out of the novel’s ladder like structure. So we don’t get to see how much Yuuji / Makina truly mirrors his relationship with Asako, as that would be destructive to a shared finish. And a host of other things. I don’t think we even get the hilarious Lamborghini and frozen turkey scene from Yumiko’s route which was just freaking awesome sauce. Instead a new ending is sort of created, and much of the characters’ suffering and healing is drifted off to the cutting room floor. But if you had to cram it down to about a dozen episodes, I’d say the anime is about as good as could be done with the story.
But then I remember what really made me interested in the story wasn’t Gurizaia no Kajitsu itself: but the anime adaptions of the follow on media. Which pretty much starts out by telling Yuuji’s story, and the road from his truly fucked up youth to his master, Asako, saving him for the pits of hell. It wasn’t until after the anime adaptions of the The Labyrinth, and The Eden of Grisaia that the original visual novel really went on my radar.
Which kind of leaves me wondering: and just how heavily condensed was the rest of the trilogy when they adapted them to anime!?
Somehow in revisiting Resident Evil 2 (2019), I can’t help but think Claire’s route is better. Also that I missed the A-rank score by about 20 minutes.
Of the choice between Leon and Claire: you get largely the same story but many differences. Early portions mirror each other such as the gas station and the fire escape. Some are branching points like penetrating the watch room or the chief’s office. Things also take different paths towards the end with Leon getting embedded in the Umbrella mystery, and Claire in the quest to shave Sherry.
But somehow, I think the scene at the end of the sewer segment captures it best:
Leon’s time is mostly spent being a rookie man of mystery focused on Racoon City. And perhaps nearly getting eaten because he’s more interested in flirting with the pretty girls than fleeing zombies. At best it can lead to Umbrella being exposed but it’s all rather fleeting. But it’s more exploratory than passionate.
Claire’s a mission about Sherry. While there’s much less intrigue without Ada, I feel the focus on the Birkin family makes a far more personal connection. We all know that Racoon City is doomed, ‘cuz that’s just how these things go. Plus let’s be honest: the original game ended with a get to da choppa / nuclear kabluuy kind of end to the Spencer mansion. There’s no way you’re saving Racoon City, and no point in trying. But Sherry—that’s a difference you can make in how the disaster plays out.
There’s also how the two characters are introduced. Leon is driving into the city because things have gone dark, and he’s supposed to be starting work at the police station. Claire shows up headed there in search of her brother, one of the original game’s S.T.A.R.s team protagonists. You could say these kind of metrics largely keep rolling through how their stories diverge.
So in the end, I reckon the question of which character’s story should you take, is the question: are you curious or do you care? Personally I feel that Claire’s route makes for a better game, and Leon’s for a better novelization.
Taking a quick stab at the Resident Evil 3 Demo, I’m kind of thrilled to see that it remains the kind of awesome that the remake of Resident Evil 2 was in terms of game play, mechanics, and general design flow.
Combined with the release of Doom Eternal, of course, I am rather tempted. And know the virtues of hiding my wallet….lol
The Xbox’s plugs and ports, a visual history.
Nice little view, IMHO.
I pretty much ignored the original Xbox. At the time, I had a Play Station 2 and a PC. By the time the Xbox 360 came out: I had already converted to PC games. So the first iteration of Xbox One was the first time that I actually used one.
Gabe Newell Opens Up About Valve’s Past, Present, and (Unexpected) Future – IGN First
Watcher later list += 1.
Microsoft unveils full Xbox Series X specs with 1TB expansion cards.
So in short they’ve addressed my two real wishes on the hardware front, and jacked up the horse power for tomorrow’s video games.
One of the things I dislike about the original Xbox Ome controller is that it uses MicroUSB, and I’ve largely migrated to USB-C over a slow process of attrition. My controller is one of the few things I still use that calls for a Micro-B connection.
Something I’ve coped with is the storage situation. 500 GB of doesn’t totally suck 2.5” SATA drive is able to deliver load times that aren’t overly comical, but is quite a bit too small when major games are often 30~60 GB each. A decent 1 TB drive on the USB-A ports has made a world of difference.
Beyond that I’ve been pretty happy with how the original hardware platform worked out.